‘A Bizzarrini car is sculpted, tuned, and unleashed with a gladiator’s soul and a ballerina’s grace.’
In 1926 Giotto Bizzarrini was born in Livorno, Italy.
In 1954, he began his career at Alfa Romeo, where he learned the art of automotive engineering.
During the 60s, he worked on legendary cars, including the Ferrari 250 GTO and the Lamborghini V12 engine.
1964, he founded the Bizzarrini brand, blending race-ready performance with Italian elegance.
In 1965, the Bizzarrini GT 5300 claimed a class victory at the 24 Hours of Le Mans, showcasing the brand’s technical brilliance.
Following the race, Giotto famously drove the winning car back to Livorno, a testament to its road and track reliability.
Giotto Bizzarrini partnered with Giorgetto Giugiaro, then worked with Bertone to design the Bizzarrini 5300 GT with sleek aerodynamic lines.
This collaboration laid the groundwork for a design legacy spanning six decades.
In 2024, Bizzarrini commemorates the 60th Anniversary of excellence by releasing the Nero Sessanta Edition.
The Nero Sessanta Edition is a continuation model inspired by the Le Mans-winning Corsa.
Giorgetto and Fabrizio Giugiaro designed the Bizzarrini Giotto Hyper GT, which embodies modern engineering with a classic flair.
The Special Corsa Revival models debuted in unique colours like Verde Bosco Ventiquattro and Bianco Diciotto.
Bizzarrini’s ethos was to create powerful, beautiful, and versatile cars—a philosophy seen in every model, from the GT 5300 to the Nero Sessanta.
His influence on Lamborghini, Ferrari, and the industry is a testament to his engineering genius.
Bizzarrini’s legacy bridges the gap between motorsport dominance and timeless design.
The 60th-anniversary celebrations highlight how the brand continues to inspire, innovate, and pay homage to its illustrious past.
From Giotto’s workshop in Livorno to the modern Hyper GT, Bizzarrini remains a symbol of passion-driven perfection, proving that some legacies only grow stronger with time.
‘If a Bizzarrini has ever overtaken you, don’t feel bad—it’s not you; it’s physics surrendering to brilliance.’